Jason Headley, Small Town Odds

Twenty-four-year-old Eric Mercer is a good guy, but he copes with the disappointments of a life that hasn't quite gone according to plan by drinking too much. Weekdays find him working two jobs—assisting alternately at a bar and a funeral home—and sharing in the task of raising his five-year-old daughter, who lives full-time with her mother. Weekends he is more often than not drunk and belligerent to the point of exciting police attention. Jason Headley's debut novel follows Eric's life in the present, a chapter a day, through one unusually eventful week, from a Sunday morning hangover endured in the local jail to the following Saturday, when everything—and nothing—has changed. The seven chapters devoted to Eric's present are interspersed with chapters detailing slices from his past: his liberation of a Playboy Magazine from someone's stolen stash when he was twelve; the big game against his town's arch-rivals that Eric won more or less single-handedly during his senior year; the birth of his daughter. Gradually the pieces of Eric's life, related out of sequence, recombine to explain the mystery of his character: how a top student, a hero on the gridiron, a man whose innate goodness is plain to see—despite the darker side that reveals itself when he drinks—how such a man came only seven years after his high school triumphs to be squandering his life in a kind of hopeless holding pattern.

Jason Headley's Small Town Odds is an elegant, gorgeously written novel. And it is well plotted, the various elements of Eric's quiet drama lining up as they are meant to and leading inevitably to the book's denouement, but not in such a way that one notices mid-read what the author is doing. Only afterward does one appreciate the story's structure, how a funeral and a football game and the baggage of Eric's past lead finally to resolution. Like Richard Russo, the Pulitzer-winning author of Empire Falls with whom he has been compared, Headley offers readers a charming exploration of life in small-town America, where the cast of characters tends to remain unchanged, and people bump into one another's lives at various points, passing time together and sharing histories and resentments: the sort of aging that makes for complex relationships. And like Richard Russo, Headley is able to create from these elements some very fine fiction indeed.